Essays & Articles
• Suburban Fragments: Community and Bricolage in Tim Barretto's Bassendream
• World Without a Map: The Flattening Perspective of Jennifer Peedom’s River [excerpt]
• The NSFA Restores Collection: Floating Life
• Shared Suffering: Remembering The Tokyo Firebombing in Adrian Francis’ Paper City
• Flies on the Locker-room Walls: The Managed Candour of Making Their Mark
• Artificial Rain: Control, Precision and Reality in Anthony Chen’s Wet Season
• Tokyo Olympiad
• Sweet, Sour and Spicy Country: Isolation as Performance in Warwick Thornton’s The Beach
• Beyond Borders: Translation and Cultural Authenticity in Hirokazu Koreeda’s The Truth
• Legacy of a Law-breaker: Andrew Dominik's Chopper Turns Twenty
• Front and Centre: Two Documentaries About Adam Goodes
• 3/11 Cinema
• Stop Filming!
• Riot and Revenge: Symmetry and the Cronulla Riot in Abe Forsythe’s Down Under
• Unseen Voices in Abbas Kiarostami’s The Wind Will Carry Us
• Shortcuts and Balloons: The Aesthetics of Tropfest
Book Chapters
• White Pigs and Black Pigs, Wild Boar and Monkey Meat: Cannibalism and War Victimhood in Japanese Cinema
• Abandon the Young in Tokyo: Yoshitarō Nomura’s The Demon and Hirokazu Koreeda’s Nobody Knows
• The Confused Nation: Hitoshi Matsumoto’s Big Man Japan
• What is Kaiju? (author roundtable)
• Now! (1965)
Reviews & Annotations
• Burning (Eva Orner, 2021)
• Burning Cane (Phillip Youmans, 2019)
• Caniba (Véréna Paravel & Lucien Castaing-Taylor, 2018)
• A Dollar for the Good Ones (Josh Lee, 2004)
• Hit the Road (Panah Panahi, 2022)
• Homework (Abbas Kiarostami, 1989)
• The Idle Class (Charles Chaplin, 1921)
• Incarceration Nation (Dean Gibson, 2021)
• Kitchen Sink (Alison Maclean, 1989)
• Midnight Family (Luke Lorentzen, 2019)
• Mysterious Object at Noon (Apichatpong Weerasethakul, 2000)
• Nobody Knows (Hirokazu Koreeda, 2004)
• Paper City (Adrian Francis, 2021)
• Stuff and Dough (Cristi Puiu, 2001)
• Unrelated (Joanna Hogg, 2007)
• A Woman Captured (Bernadett Tuza-Ritter, 2017)
Other
• Nobody Knows Blu-ray commentary
• A Portrait of Judith Buckrich (open peer review)
Blog Archive
• Paying to Work: The Perth Film Network and The Action Film Plan
• Keeping Australia Safe (From Film Crews)
• Separating the Voice From the Face
• Begins With Three and Ends With Two
• Noble Men in a Cock Forest
• Senses of Cinema 2018 World Poll
• Senses of Cinema 2017 World Poll
• Films by UWA Video Art Students
• Nanook Haikus